Trent Parke bears witness to Sydney streets, extinguished moths, and (ultimately) the disintegration of the universe.

Abbie Trayler-Smith’s 12 year collaboration with Shannon, a young woman living with obesity.

Ivan Vartanian’s 100-year history, running up to the 1980s.

A collection including every page of all eight of Francesca Woodman’s unique books.

A twelve year opus to Appalachia by Stacy Kranitz.

A ‘love letter’, subverting the traditional markers of an exclusionary nationhood, by Rene Matić.

Jamie Murray’s debut, inspired by conversations with the previously incarcerated.

Andi Galdi Vinko ‘hoping the years I’ve lost mothering can be written into my CV without guilt or shame.’

Moises Saman’s photographs taken in Iraq during and after the US-led invasion.

A celebration of the most distinctive local newspaper in Wales – by Sébastian Bruno.

A beautifully melancholic response to Brexit by Robert Darch.

Philip Montgomery’s dramatic chronicle of the past decade.

‘Ascent to Heaven’ features five bodies of work by Bristol-based Galician, Lúa Ribeira.

A reissue of Ernest Cole’s iconic work, including previously unseen images.

Wendy Red Star’s photography recasts historical narratives from a feminist, Indigenous perspective.

A survey of the great photographer, exploring his personal archive of 30,000 contact sheets.

Originally conceived a decade ago as a companion volume to Men and Women. Now published by Super Labo.

Sam Contis photographs stiles, with an essay by Daisy Hildyard.

Jill Posener’s second book on protest grafitti, originally published in 1986.

A celebration of a fishing community in Kingston upon Hull.

Simon Wheatley’s 2010 publication on the history of the Grime scene in noughties London.

Photographer Harri Pälviranta shows the banality of street violence in Finland.

Portraits of teenage girls at play in bucolic landscapes, by Justine Kurland.

Rinko Kawauchi’s debut photobook is still as powerful over two decades later.

Sabiha Çimen won the Paris Photo First Book Award with this depiction of students at several girls-only Qur’an schools throughout Turkey.

The exhibition catalogue accompanying Rinko Kawauchi’s 2022 show at Tokyo Opera City Art Gallery.

A snapshot of a generation, a cross-section of a particular time and place – but also, according to Steve McQueen, a Trogan horse.

Dave Swindells’ appropriately kaleidoscopic record of one nation under a groove.

Peter Finnemore’s ‘meditation on the universal conventions, democratic versatility and proliferation of the photographic medium itself’.

Poet Roger Robinson and photographer Johny Pitts’ road trip in search of Black Britain.

Harley Weir’s new book about the allure of plastic surgery and changing beauty standards.

Over 600 career-spanning images by the late photographer Mary Ellen Mark – edited by her partner.

The Portrait Photographs of Bandele “Tex” Ajetunmobi and Harry Jacobs – depicting post-war Black Britain.

A definitive record of 20 years of photography and film by Trish Morrissey.

Justine Kurland cut up 150 books by old white men and made something beautiful.

A previously unpublished selection of stunning photographs from Peter Fraser’s exhibition (alongside William Eggleston) in Bristol.

The result of Rhiannon Adam’s 96 day stay on the island; a tome on the dangers of romanticism.

Nona Faustine’s confrontational / hopeful self portraits, taken on sites of historic slave trade activity.

Yan Morvan’s record of London 1979 / 1981, taking in punks, mods, a royal wedding and much more.

Shortlisted for the Arles Author Book Award 2017, Alexander Chekmenev’s photographs of Luhansk elders.